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· · 来源:dev资讯

Death is not taken lightly in Scream 7, even as the kills get outrageous. By the time the franchise got to Scream 3, it began giving into an ugly slasher cliche: making most of the victims unlikable before they die. Presumably, this is so the audience can enjoy the violent spectacle, rather than being saddened as the body count grows. In Scream 3, this series turned abruptly misogynistic, featuring a blonde actress (Jenny McCarthy) who is depicted as "nagging" before being slaughtered, then a sweet ingénue (Emily Mortimer) who, before being killed, is slutshamed for sleeping with a producer to get the role of Sidney in Stab 3. (See also Alison Brie's wickedly opportunistic PR agent in Scream 4.)

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Regulation and AI model behavior around copyrighted content remains in flux, with implications for what content models can reference and how prominently different sources appear. Current legal frameworks are struggling to accommodate AI's information synthesis capabilities, and future regulations might significantly impact how models cite sources, what compensation creators receive, and what controls you have over whether AI systems can reference your content.